Thursday, June 11, 2009

Hammerpress photos continued


More pictures from Hammerpress. The first two are of type cabinets from farther back. They next one, which looks like two pictures put together but is actually one, is of the Vandercooks. It is kind of hard to see them as every available surface is covered with something, but I assure you they are there.
This is over by the platen presses. You can see a desk Brady is giving me for my room with the invites I printed Tuesday sitting on top. Then there is a pic of the type cabinets. The large machine in front is the giant paper cutter.

A closer look at the Vandercooks with platen presses and paper storage in the background. The more Vandercooks with the wall of billboard type.
Finally some picture blocks. If you can't see, there is a giant cowhead, cowboy on a bucking bronco, men racing ostriches with chariots, and some mexican folk art.

Wednesday, June 10, 2009

Print big or go home

Tuesday was a long day, but with few things in it.

I went to work and finished the last of the packaging. I labeled the last of the rep boxes and put together the last two orders. After all that was finished, I got to printing. More wedding invites. 500 of them (400 hundered and then Brady always prints a bunch extra in case he should ever need them, which is why his back room is bursting).

The invites were olive paper with metallic gold ink. Pretty much the same tones and personally not very attractive. I had a mishap with the printing of them though and screwed up about fourty or so. ***!* when printing take the paper out vertically as to not smuge or smear it, DO NOT TAKE IT OUT AT AN ANGLE or face the consequences ***!* Brady wasn't angry, but looking at the piece further, he decided to print them on the platen press instead.

Afterword I went to the INKubator and reprinted the Pistol Club poster. Due to the emulsion washing out and not drying very fast, I was there til three am. Joe and Halliday called around 2:50 to make sure that I was okay. It was very nice and made me feel like part of a family.

I came home full of energy (odd as I had none when I left) and so watched an episode of Buffy to wind down before sleep. I love Xander.

p.s. something I have forgotten to mention is the weather. Tuesday it down right poored, raining sideways and everything. Sunday and Monday there was more heat lightning in the evening followed/accompanied by a bit of rain. It has been moderately warm with some humidity, but nothing crushing. Occationally the sun comes out and fries my brain, but mostly it has been tolerable.

p.p.s. Brady threw out a bunch of make readies and I dug through his recycle bin. Goodies!!!

Market day

Images of the River Market produce and my dream table come to life. I'd redo the cushions and give it a fresh coat of paint.







Tuesday, June 9, 2009

"Hello, my name is Karen and I'm addicted to Buffy."

So I'm a little behind.

Sunday, June 7th

I started out the day writing this blog but then I realized, it takes me an hour or so to get everything how I like it, and the day was lovely, what on earth was I doing inside? I dropped what I was doing, jumped in my car and went exploring. That ended up in me being behind, but was worth it.

My first stop was the River Market, an open air combination of flea market, farmers market, and restaurants. What made me pull over was the flea market and I was lucky enough to have the coincidence of the farmer's market being there as well.

The flea market prices were outstanding - twenty-five cents for bright orange mugs, three dollars for a Carmen Miranda head cookie jar. I know what you're thinking; "Karen, you came home with that cookie jar didn't you?" No, I promise I didn't. The only thing that found it's way back to my place was a little ceramic sugar bowl in the shape of an orange.

Around the flea market was a line of shops and a museum dedicated to a steamboat wreck found in the Missouri river. One of the shops was called "Vintiques" and a seductive row of atomic chairs outside the door lured me in. The chairs were a little misleading since only one room was housed an assortment of furniture, however I was wonderfully lead astray.

The glory that is Vintiques is an assemblage store. Wares inside were paper, found items, a variety of embellishments, ribbon, and about anything I could possibly think of to use for altered art. Some highlights were a button wall, vintage travel guides to Latin America, a basket of skeleton keys and a case full of early century door fitting. Although I would have like to walk out with more, I limited myself to a handful of vintage photos and a 50's pamphlet on cooking. The owners said if I wanted to bring in any art I would be welcome since they sell assemblage art on the wall.

Bobby had mentioned the River Market Antique mall as being worth a visit, and so with the directions from the folks at Vintiques, I headed a few blocks away to check it out. I have found that flea markets in the Northwest are depressing. Most items are obnoxious in price, and sellers typically aren't keen on haggling. This apparently is not a running trend in Kansas City. Three stories of a large labyrinth-like warehouse were packed with finds. Not the junkyard sales items made to look like antiques finds, but honestly cool items, at affordable prices.

The dining room set of my dreams and I bonded almost as close as me and a 1940's bathing suit. I would have bought the suit if the color had been something other than salmon and yellow, I almost bought it anyway. A set of atomic era chipboard cutouts of blue collar workers (that could have looked neat on the Perceivers selling table) also almost found their way home with me, but, for what they were, the price was high. I ended up leaving with nothing but had an enjoyable adventure in antique hunting.

Around three o'clock or so, I found myself finished with the River Market district and went in search of my next destination - the Plaza. Some research showed the Plaza is modeled after Seville. I think this would be the case if Seville were to have a love child with Rodeo drive, and that child were fuse with a strip mall, then imbued with the essence of American supersize, dropped in a boiling vat of consumer idealism, then finally served with a side of terracotta colored paint. In otherwords the Plaza is a mildly Spanish (Southern Californian?) themed open air mall that houses the Armani Exchange and Coach stores among others. All the stores are on the higher end, the lowest price ranges being Gap and Barnes and Noble. A trip into Urban Outfitters revealed a great summer dress that I will wait on. Maybe I could treat myself to it for my birthday.

When I couldn't hold off the hunger any longer I grabbed a salad at a swanky "Tuscan bistro" with a fantastic little balcony. Happy hour appetizers were only $2.50 and that's how I unexpectedly had a shrimp cocktail to go with my salad. A table full of self-admittedly drunken 50-somethings chatted me up a bit (amazingly not about how I reminded them of their children) and then I left to seek out my last stop; KCAI.

The Kansas City Art Institute is situated on a little hill flanked by art museums. Next door to the ceramics building is the Kemper Museum of Modern Art, recognized by the giant spider creature out front, and across from the painting building, the city museum and sculpture park. Trees shade KCAI's lush grounds and an old castle-like main building plus gated entrance make it seem like someone's private estate.

With the evening light being perfect for walking, I meandered over to the sculpture park and made it my business to either touch or climb on all of the statues except for the "Thinker" casting (it was too high). I am an avid believer that public art should be touchable, maybe I'm out of line for thinking so, after all I'm no sculptor, but I had fun.

Three things I saw in the sculpture park I'd never seen live before:
* Four, twenty-five foot fiberglass badminton birdies
* A praying mantis, I even touched it!
* A wild bunny

I came home and spent the rest of the evening starting what is now a horrible habit of watching Buffy the Vampire Slayer. Seasons one-three are on Hulu and I'm hooked.

"Hello, my name is Karen and I'm addicted to Buffy."

Monday, June 8th

Monday morning I finished the poster for the show next week, played around with color and placement. Looking back, I could have been more conservative with color, but I learned something new and will be able to use color minimally and to my benefit next time.

Around two, I met up with Jen from work and we went to the DAV thrift store to look for some sweet threads. Again I was amazed by the deals, six dollars being expensive. Kansas City is an actively thrifiting community, but not over crowded. The selection isn't picked through and one can find put together a perfectly decent outfit. This trip was very successful. I scored a little black dress, t-shirt, sweater, belt and jacket for under twenty dollars.

Yes, you did read sweater and jacket. No, I don't have enough jackets (this one is so sweet I can barely describe it, but picture the most perfect 70's track jacket, white with green stripes, and you're close). The sweater is actual vintage, red with little buttons on the collar and shoulder. While I many not be needing it now, eventually I will be in a time or place where it is cold and I will wear it at that point. It will look smashing with my brown pencil skirt. Jen picked up a shirtdress, jean jacket (she has a jacket fetish too) and Asian inspired robe.

I dropped Jen off at her home so she could go to class, then I booked it to the Arts INKubator for a tour around the studio. As there are only eight INKubator Press members I believe it will be somewhat akin to having an entire studio all to myself. The place is large and when I print I can set up on an entire table. The drying racks have too large a grid for me to use, but there is yet another table I am free to take over when my printing threatens to overwhelm my space.

I went home to print off stencils (and watch an episode of Buffy) then returned to print thirty or so band posters. There are two downsides to the INKubator.
1. The inks. Are speedball acrylic based and runny. The bulk red that has been provided is an orange red and when mixed with blue to create purple, simply turns red-brown.
2. The emulsion. This is a huge downside. They have provided some sort of crummy blue colored junk that barely stand up to the hose used to wash it out. I accidentally washed out my screen twice and after about ten prints the stuff stated flaking. I intend to find out what PNCA uses and see if it can be ordered.

By the end of the night I didn't have much progress. I left around eleven or twelve, tired and knowing I'd have to start over from scratch.

I came home, watched some Buffy and went to bed.

Monday, June 8, 2009

Prince Rama of Ayodhya


Prince Rama of Ayodhya poster for Pistol Social Club, to be a screen print within hours. (8.5 x 11)

West Bottoms and the Pistol Social Club

Here are some pictures of the West Bottoms and the Pistol Social Club. Below is a train passing through about two blocks away from where I live. You can't see it, but all of those cars are full of coal.


The back alley of the Pistol. The white door leads inside to The Ship and Foundations, the architectual salvage store. The windows above is the back of the Pistol.
A Photographic moment with some signs in the alley.

Warehouses by the Pistol. Come to think of it, I think that's the other side of the alley. The next picture is looking down the street infront of the Pistol towards the train.


The front door of the Pistol Social Club I live on the second floor. My room is the far window above the screen printing shop. The picture below that is the hallway leading up to my place.


The kitchen. The giant table/bar used to be a stage. There is a dishwasher but it doesn't work. The stove is below the funny lamp in the corner. Then there is a picture of fluffy Flora.


The livingroom. I tried to capture the beautiful light that happens at sundown, but I don't think my camera is capable. That's Joe sitting on the couch and my room is on the otherside of the red-orange wall. Joe's shrine is a few pictures down.


My room. Not too much going on there. Just the old air mattress and my computer. It is pretty large and the ceilings are very high. Brady might have a desk I can add, that would be a welcome change as sitting on the floor kind of sucks. You can see my shelves there too. I didn't take a picture of the otherside of my room since there isn't anything to see but the frenchdoors and my clothes hanging up.


and that's what there is to see. More West Bottoms pics will come, but yesterday was hot and I didn't want to fry my brain while taking pictures. As you might be able to tell, there isn't alot of shade out here.

Sunday, June 7, 2009

Fashion and lightning

Most of Saturday morning was spent working on my zine entries. I finished them and emailed the pages to Madeline, the zine producer. After seeing one of the local zines in a bike shop, I decided I could do whatever I want and that would be sufficient. There wasn't any particular rhyme or reason to the content. My end product was a pair of simple collaged illustrations depicting faux saints, Saint Simeon - the patron saint of broken hearts, and Saint Katherine - the patron saint of contempt. I'm not sure how they'll be presented, but really, the point was to contribute, I'm not too picky how they turn out.

I did take a break around 11 at which point Uriah came home and rounded me up to go bike shopping. He'd found a bike yard sale with some affordable finds. As we arrived, my perfect bike was being rode away with a baby in the basket, a Schwinn 3 speed with basket and fenders. Alas. I looked around and found another Schwinn, brick red, with a basket and fenders, but no gears. If I'd been in Portland, I'd probably have gone home with it, but if I'm this far away and am going to buy a bike to take home, I want a ride with gears that would make it possible for me to get myself up a hill.

Out of the twenty or so bikes, there were only two (including the red one) that fit me. It turns out that most bikes are too tall for my short stature. Neither had gears, so I went home empty handed. Uriah scored with two bikes for 20 and 5 dollars respectively. We hit up the bike shop to get him some new tires and then came home.

About five I headed to Sunfresh to get ingredients for lemon squares and promptly got lost. Not too badly, but it was a good thing I gave myself some time to get there. The lemon squares were rushed since time was crunched to be at the fashion show. When I left I thought I'd botched the squares up. In the end, looking back I just didn't cook them for long enough. I also forgot the top poofs up before settling down to be delicious and smooth.

The fashion show was set up in the middle of 18th street, with a long runway running from one end to the other with a sheet of L.E.D. light covered fabric shielding the "backstage" from view. Obviously the road was closed off and people crowded in to stand as close as they could. Crowd run off went into the surrounding buildings and hung out windows or stood on the roof.

The theme of the evening was Summer in Space and each designer was to interpret the theme how they deemed. I missed the first two collections, which were only five pieces each, but I got there in time to see Halliday's creation walk down the runway on a green alien model. After bullying my way to where she and some friends were perched, I watched the rest of the show in somewhat comfort balancing on a director's chair.

The collections that I can remember off hand were
* Super Nova - a bright group of 60's-ish style dresses
* Oblivion - also dresses but immaculately made, unified with a corset top theme (also had the best models, many of the models didn't have a clue how to walk down a runway)
* I can't remember the name of the designer but her outfits morphed into other outfits
* Peggy Noland - an 18th street institution whose designs were something out of Playhouse Disney
* Birdies - the 18th street lingire store who used plastic bubble helmets (what I would have done), but not to their best advantage

Joe showed up near the end and helped Halliday take her things to her car. Since she was headed home, I decided to hit up the potluck at Bobby's even though I was running a bit late. When I arrived the potluck was winding down, but folks were still there. I brought some beer as a token and replacement to the botched lemon squares.

The reason for the potluck was Bobby's roommate Dave's birthday. Dave used to work at Hammerpress, but after many months of only working Saturdays he decided to call it quits for a bit. I also met a fellow Illustrator named John. John graduated about a year ago from KCAI and has been making a living as a full time Illustrator ever since. He says his work load goes up and down like a rollercoaster, but is enough to get his bills paid. The keys to working as an illustrator, as John has found, is promoting one's self in every avenue possible and finding a work method that produces work quickly but good enough a person can live with it.

I only stayed for about two hours since by the time midnight rolled around I was one of the last people left. I drove home and intended to go to bed, but an insane lighting storm brought me outside. Joe said it was heat lighting and it probably went on for about half an hour before any rain came.

I know I am in the midwest, but it feels very east to me, the lightning was certainly a midwestern experience.

*and now for a historical side note.
I was snooping around on the internet and found some history on the West Bottoms:

"The West Bottoms was originally referred to as the “French Bottoms”. It was the site of trade between French trappers and Kansas Indians. The area was established by the trappers as an area of commerce. The West Bottoms became the receiving point for goods offloaded from steamships traveling upstream on the Missouri river due in part of the western immigration and trade with Mexico over the Santa Fe Trail. The importance of the area increased with the advent of the railroad. The stockyards (established in 1871) then chose to develop there because of the livestock that came in from the Southwest over the rails. A whole city grew around the stockyards.

The Union Depot was built on Union Street where hotels, bars and restaurants flourished. Over 90 percent of the value in Kansas City lay in the West Bottoms. A devastating flood in 1903 ended the investment in housing, schools and churches. However, the agricultural, meat packing, freight and industrial investments continued to grow. By then the rule of thumb was clearly established namely the economic vitality of the city was determined by the economic progress of the West Bottoms.

The stockyards flourished through the 1940s and at its peak only the Union Stock Yards in Chicago were bigger. During World War II Darby Steel Corporation built most of the Landing Craft Tanks (LCTs) that were used in various amphibious invasions. The plant built one craft a day and floated them more than 1,000 miles down the Missouri and Mississippi Rivers to New Orleans, Louisiana prompting their “Prairie Ships” nickname. Darby’s plant at the mouth of the Kansas River could hold eight 135i LCTs and 16 LCMs (Landing Craft Mechanized) in various stages of development.

With economic hard times the West Bottoms took a drastic hit. The first economic blow came with the ending of World War II. There were over 20 thousand jobs lost when the extensive military construction in the city suddenly ceased. The second economic blow came in 1951 with a major flood. Packing companies and supportive industries moved out of the area and many closed their doors forever. The combination of these two events was cataclysmic.

There were 50,000 jobs lost in the span of 5-6 years and the city was half the size it is now. With the job loss people stopped shopping downtown. With the economic downsizing the city slipped and was unable to save itself and collapsed. Because the city’s tax base crumbled it could no longer maintain its streets, bridges or engage in meaningful investments.

In 1974 Kansas City and the American Royal tried to reclaim the stockyards by building Kemper Arena. The stockyards biggest heritage is the annual 6-week American Royal agricultural show held each October and November at Kemper Arena. Kemper Arena was also the site of the 1976 Republican National Convention where Gerald Ford was nominated for President. Along with the building of Kemper Arena there have been many buildings constructed and several multi-million dollar companies have set up shop in the West Bottoms area. This redevelopment has begun to attract upscale and artistic tenants to redevelop buildings and helping reestablish the West Bottoms area." - from westbottoms.com